Last Monday and Tuesday I went to a couple of drumming workshops organised by my music lecturer, both of which focussed on West African (mainly Ghanaian) music. And it was AWESOME! The second workshop was actually a repeat of the first, but I just wanted to have a second go at it so I went anyway. And lucky I did - the first session went overtime and I had to leave before the end.
The teacher, Chris, gave us lots of interesting background information before we started to play, about Ghana's geography, languages, musical styles (in comparison with the rest of Africa) and the instruments themselves. Then we spent about an hour practicing coordination/multi-tasking, building up intricate rhythms with various percussion before we touched the two different types of bongo drums. We had a go at playing the final piece, each person with an instrument.
The second session was much better for a few reasons, but I think for me it was mainly because I did better (having done it before), and this time around I had a chance to play all the instruments, plus I could stay until the end and got to be part of the final piece, including some beautiful harmonic singing.
Chris was telling us about how their music is not just rhythmic drumming, but there is tone to each instrument (i.e. timbre) and that what is so interesting about the music is how each instrument talks to each other (it would be very boring in any music if everything were played with the same instrument and timbre). Also that the way we learn music in the west, is by counting a beat and then playing music to the beat, whereas everywhere else in the world music is much more natural, the beat coming after the music - they don't count in and play, the play and then pick up a beat. There is generally a central rhythm that all the other instrments play to - not some underlying artificially-imposed counting of 1,2,3,4, 1, 2,3,4... . A further difference between the west and everywhere else is we kind of
consume music, but they are part of and contribute to the music - even their dancing provides a beat to the overall sound.
People tend to think of drums when they think of African music, but in many areas of Africa they do not even us drums. Some just have very intricate vocal harmonies and body percussion, or a whistle and machete, etc. West Africa is where the drumming comes from, and even then, they are just one type of a vast selection of instruments. It is also interesting to note that in many Ghanaian languages (there are over 100, or was it 1000?), the tone/pitch of what is said actually changes the meaning of a word. For instance 'oware' can mean 'the man is tall' or 'she gets married', depending on how you say it. 'Papa' means 'father' if said 'pa-PA', but means something completely different if said like 'pa-pa', 'PA-pa' or 'PA-PA'.
Furthermore, they use their language to describe their music onamatopaeically, and therefore can communicate a rhythm/sound they want someone else to play and on what instrument. e.g. 'pa-ti-pa' can be used to describe a rhythm played using their rattle (made from hollowed-out gourd and covered in a netting holding little shells) - the 'pa' is the sound of it bouncing off your lap, the 'ti' is it hitting the underside of your hand as it bounces up. In this way, they can communicate using their instruments, by playing combinations of well-known proverbs and phrases (e.g. pa-ti-pa might mean something in particular, I'm not sure. But they could play this and neighbouring tribes will be able to understand the message and play something back).
It was really beautiful music, and a nice challenge on my part - hard to multitask, singing or focussing on multiple rhythms/tunes while playing just one thing at a time. Very simple rhythms to be sure, but layers can be difficult, let alone simple variations. I would really like to pursue this further. Apparently Chris runs workshops and can visit schools and everything - I just need to remember to get his details of my lecturer. A nice idea would be to go to Ghana one day and actually learn from the originators. An even nicer idea would be to pursue drumming (and perhaps more vocal work) when over in Central Australia - I could learn from the students about the more natural music, and I could teach them how to record, perform, maybe market their music and others'.
My main concerns at the moment musically, are that although I have played piano for over a decade, and flute for a little less time, I was trained generally with classical (and some jazz) music, and very technical, sight-reading-based instruction. Even my compositions were made up written down first, based solely on theoretical rules before I even played them and heard what they sounded like. Although I've improvised every now and then, I lack a lot of confidence in my musical creativity and my ability to make up stuff that sounds even a little okay. And sadly, I've forgotten just enough of my theoretical knowledge to be comfortable even picking the right key to play accompaniments. The very rare occasions where I like what I've made up on the spot, I can't remember enough to repeat it or write it down. And occasionally I'll try recording my improvisations, but it always sounds so... crappy, so I tend to delete it straight away.
So I think that I need to relearn my instruments, learn it like I think I should have learnt it from the beginning; with a balanced mix of technical and experimental. At the moment I'm probably most confident playing the ukulele for this very reason - despite the fact I've learned it for less than a year, it was self-taught and though I do some sight reading, I'm more willing to experiment with it. It would be handy to be able to learn common chord progressions (on piano or uke - you can't play multiple notes simultaniously on flute) so I can at least play accompaniments in the classroom as well.
Thankfully, my final music assignment for uni is related to my own professional development. I need to attend/participate in a number of PDs organised by my lecturer (the African drumming and a multimedia session included here) and a few (or a few sessions of a) self-initiated PD/s (for instance going to choir, or teaching myself ukulele). So I suppose I will focus on easing the concerns listed above - learning to be more creative and experimental with my music, learning basic chord progressions for accompaniment and so on. I think that will be plenty.
Look at me, I've been a good girl and actually done some uni-related work! Hopefully this will be enough to start me off again with getting those assignments done!